Art and architecture a place between jane rendell-baker

In one sense, architecture tends to be approached as a phenomenon with which we coexist, and within which we live out our everyday lives; as a space that contains internal and external memories of the experience of the world; as sites that served as stages for multiple eventualities, whose materiality has the capacity to re-narrate them, or rather to reshape them.

Just as our movements are subject to the distribution of space, so our identities relate to the memory that constructs our past. It is no surprise that powerful entities invest the grand myths of national construction in architectural landmarks. Architecture is capable of bringing the memory of the past into the present.

It reminds us whence we came and whither we are headed. Through it we perceive the traces of actions that it has witnessed, and it invites us to remember histories of which we were never part, but with which we nevertheless identify. Architecture is the memory of an age; it is a monument.

Agamben, The Use of Bodies, , p. Time on Site Prue Chiles A series of images on site, stitching overlapping, resonating narratives, expanding and uncovering the site of construction in other ways. We prioritise the many people involved and the relationships they develop and their connection to building and dwelling in time and place. Bonds are created, liaisons and common interests encountered and links made. This work highlights the importance of time and messy, feminine, everyday process of getting to know each other, running alongside a more formal economic and practical process of building where everything is mapped out and kept to time, or is it?

These effects spill over into the formal. The images show the intensities and banalities of common experiences and strange encounters and the lingering resonance of past events. This is another reading of work on a restless site. I feel proud of myself. Nature beckons our response. It is in the doing, the being, the becoming that meaning is made.

What becomes sacred is the act itself — not what remains.

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